Wednesday, November 29, 2017

নির্গ্রন্থ

এখন পরিস্থিতি কিছুটা অন্যরকম। শীতের শস্য গোলায় উঠেছে, বাদামী ক্ষেত, মাঠ
এই ধরণের সময়গুলোতেই আমরা ধূসর খামারবাড়ি, ত্যক্ত দালানবাড়ি, ধূলোট আরামকেদারা, থমকে থমথম গ্র্যাণ্ডফাদার ঘড়িদের অ্যাডজেক্টিভ-অন্বয় মৌতাতে ভাবি, এখানে সব শান্ত, স্থির -
বহুদূর হেঁটে বিরাট নির্বান্ধব কোনো বনস্পতির কাছে চলে যাওয়ার মতো।

হাঁটা প্রয়োজনীয়। সন ২০১৪র ডিসেম্বর মাসের প্রথম সপ্তাহে কাশ্মীর উপত্যকায় দেখা হয়েছিলো যে যুবকের সাথে, তার পুরুষাঙ্গ ভারতীয় সেনাবাহিনীর কেউ কর্তন করেছিলো, 
সেই থেকে,
সেও অবিরাম হেঁটে চলেছে চিনারবনে।

মানুষে সমষ্টিগতভাবে হতেই পারতো বনস্পতিদের চেয়ে সৌভাগ্যবান।
তারা বলতেই পারতো একে অপরকে –
“আমরা সবাই একা”,
“আমরা সবাই ঠিক এভাবেই ভালোবেসেছি বা বেসেছিলাম”, ইত্যাদি;
অথচ,
জানলা বন্ধ হয়ে গ্যালো।
দরজা বন্ধ হয়ে গ্যালো।

এখন সময় গম্ভীর হয়ে আসছে। সন্ধ্যের সোনার থালা পূর্ণচন্দ্র মাঝরাত হতে না হতে
কানা ডাইনীর টকটকে লাল চোখ। বাইরের অনন্ত ব্যপ্তি ভিতর ধরে না সহজে।
রূপ ধরে না অরূপ। বন্দরে ছিমছাম ঘুমোচ্ছে কয়েকটা বুড়োটে জাহাজ,
আস্তাবলে কয়েকটা ঘোড়া।

অথচ, চলমান আমাদের মধ্যে
আমাদের চলমান ছায়াদের মধ্যে,
যারা দাঁড়িয়ে পড়ছে, বসে পড়ছে, ঝুঁকে পড়ছে
ইউনিভার্সের কার্ণিশ, পোর্টিকো, ব্যলকনি ধরে, যারা রাজবাড়ি যাবে না,
ভুঁড়িভোজ খাবে না,
মধ্যযুগীয় কোনো জলদস্যুর খুলি থেকে খুলে নেবে না এক-আধটা সোনার দাঁত
তাদের দিকে রাইফেল তাক করে আছো যারা, প্রিয় স্নাইপারবৃন্দ, -

তোমাদের চোখে পাতা পড়ে না
তোমাদের অগণন উত্তরাধিকার, অথচ,
জেনে রেখো,
তোমাদের জন্য,
কেউ কেউ কিন্তু পাথর জমিয়ে রাখছে ঠিক
তারাদের নাম রাখছে পাথরদের নামে,
পাথরদের নাম রাখছে তারাদের নামে। আকাশের নাম রাখছে – সময়।

Saturday, November 25, 2017

blank

thru jaded witches' sabbaths
thru hills far away
stones & dices roll
fields of gold sway

days drip greed
nights strewn aghast
ghosts haunt magic
monsters hunt pasts

cities lonely yellow
hamlets pale in pain
rivers rest awhile
to flow on with the rain

rain gets thirsty
forests fade far
houses scorch earth
doors ever ajar

winds carry tales
with stars and the moon
the moon gets it silver
crazy roads swoon

some roads are the highways
some run through mists
some through expectations
some through dead-end wrists

when fires burn or don't
where the breezes blow
you know how it is
you know what you know

you ask mirrors to belong
you look for dreams in eyes
your fathers sail along
your mothers are the skies

you look for eyes in trees
your flagposts in the clouds
ancient tunes teach some love
you learn from sunset cows. 








Tuesday, November 7, 2017

তুত্তারে স্বাহা


তুত্তারে স্বাহা...
হরিণের দুইটা চোখ
একটা সবুজ তারা
একটা শ্বেত তারা
এইবারে কোনটা খাবে, 
বিচার কোরো, প্রজ্ঞা, 
আচার কোরো, পারমিতা
তুত্তারে স্বাহা...

the room of love


in the room of love a hunter weeps
maybe, the sun has set
but the shadows won't talk about it
the shadows won't talk about anything at all
the hunter knows nothing of this silence
the hunter seeks laughter that never is,
never was,
shall never be.
let us kill the hunter tonight
let the deer have his meat tonight.

Thursday, November 2, 2017

a story about us & them

shorn, bereft of all rain and earth
like waters under bridges we pass,
our hearts pass – ever searching for the glint
that never was, ever in the sea, dinghies in storm,
bitten, by the vipers of conquest,
eaten by emptiness –
ghosts of our dead selves – winds and sails –
they, who won, who reached – took our salts
and crafted telltale tales of the magic that once
was yours and mine.  us, who became hallways
where specters of children
who turned into pictures loom – turned pages,
wept a bit. flickered a bit. killed monsters.
and fell to silence –
for a while and ever.

was there ever a chestnut tree?
did the breeze ever send shivers down its ancient, leafy soul?

Friday, October 27, 2017

সিংহ-খেলা

পাহাড়ে পাহাড়ে আলোর মালা
নদীতে নদীতে গান
বুকের ভিতর ঘণ্টা বাজছে
শিরদাঁড়া টানটান


জিজীবিষাময় ছন্দ তুলে
আঁকছে খোয়াবনামা
কখনো গুণ্ডা কখনো বিরসা
কখনো সত্যভামা


মশাল জ্বালে বনস্থলী
হাওয়ায় কাঁপে পাতা
রক্ত-ঘামের ডায়েরী জুড়ে
পুড়ছে যাপনভাতা


জমাট বাঁধা আঁধারপথে
পুরাণ-কঠোর বেশে
বজ্রমুঠোয় কলজে ধরে
হিড়মা এলো দেশে


শাল-মহুলের স্বপ্ন মেখে
সিংহখেলার শুরু
বাজুক তবে পাগলা-মাদল
বাজাও ডম্বরু


ছয়টি হাজার বছর ধরে
জমলো যত ব্যথা
এবার তবে পাল্টা-পালা
দ্রোহরাগ-কথকতা!



Wednesday, October 25, 2017

you will never know

you will never know what beast pounds inside all the time 
the stars are strangely quiet tonight
what do we care about broken boats? starfishes grow limbs,
emptiness eats the sky.


rain has taken all the postcards tonight.

Friday, October 20, 2017

A History of the Fall

In the summer of 1936, there was a war
In the autumn of 2017, the war still is
The same enemy – power
The same dreams – freedom
In the summer of 1937,
three human fireflies
had fallen in Granada
Along with many other
Across the  world.
In the autumn of 2017, the fireflies
have fallen in swarms
The last seventy years,
like the seventy thousand before that
has been a history
of this fall
In the summer of 1936,
by some firefly-bereft dump
Three good people
Got bumped off.
As did many more in many other places
In the autumn of 2017
In a country where Barcelona
is football clubs for the elite
Two such fireflies
got it bad. As tanks entered Catalonia.
By then,
everywhere,
real fireflies were leaving
fast.

Saturday, October 14, 2017

letter from one weary bombay night


Come, dance, what else is there to do?
too much dust on the lenses. Fireflies fly no more, 
except occasionally;
Mocking bird mocks no more. It is sad. One mad donkey
named Civilization 
beats the dust, 
brays on. It is nothing.
I would have rather named it Platero
I would rather name each speck of stardust – Love
This will not change anything. This is not meant to. 
This is where, cities of the halogen night
meet naked rivers made of mist. This is where everything
turns into time. This is where we must dance. 
Nothing ever has been 
as beautiful
as this silence.

Wednesday, September 27, 2017

...


the healing touch
a dot
that joins itself
within itself
all by itself
have you ever tried this
at home all alone
with everybody
tacit books and wise masks
with sad seaside balloon-sellers
through the sands
one gibberish city of mundane
arise arise
it has been good
neon
all the smiles
toasts raised
hoisted petticoats
flags of
who we are
mirrors of
subjectivity.  Mad time. One meme life. One bullet life.




But when all the chips were down,
history had gone to meet the daughter of the clouds.


  

Monday, September 25, 2017

Mr. Shantanu Bhowmik

there's no song for you tonight, Mr. Shantanu Bhowmik, 
some people will rejoice, we know who they are,
and this is not about them.

as for us, we are too scared of being judged
after all, your ancestors were criminals, as were mine
as you know, buddy, crimes across history does lead to anger across history. some people rejoice in this anger, it makes them powerful, we know who they are,
and this is not about them

as for us, we are too weary too churn
how, thoughts, actions, words, pictures - bring some people closer, thwart some asunder
like all histories have ever been doing - 
through all these wars and struggles big and small - across all these walls that we have built 
in the name of all the shit that frightens us, 
all that hollows us out, 
that chokes our music
and snuffs our candles - 
stern bricks like caste, race, creed, colour, religion, passport-stamps, public opinion, political mores of the enlightened et cetera et cetera.

personally, perhaps, a few of us will hum a timid tune or two for you, Mr. Shantanu Bhowmik, or sigh or weep for you - but all from deep inside these enlightened walls. like we sang and wept and sighed deep inside when that kid who got killed for wearing a shahid afridi tee-shirt had etched a small ripple across our respective information bubbles a few moons ago.
even then, some had rejoiced, 
but it was never about them.

it has always been about us. 
we are afraid
we are tired
ghosts haunt us every night

many moons down the line, these ripples will turn into smudges, and then, into indelible imprints,
and then, something incredible will happen
maybe, certain magic doors will open up 
maybe, the ghosts will stop haunting us,
the bullies will stop bullying us
the killers will stop killing us bit by bit
we have the privilege to imagine
we have the privilege to dream,
to learn
to climb trees and mountains;
we are alive
we are afraid of political incorrectness
we are tired of all the killings 
we are silent
we are screaming
we are criminals
we draw flowers
we draw pistols
ghosts haunt us every night
and the ghosts have taken all our songs for you tonight, Mr. Shantanu Bhowmik.

Wednesday, September 20, 2017

বালিঘড়ি ও বাতিঘর

তুমি, যে বিমুক্তি নেবে অন্ধ আলোর থেকে
আলোকিত অন্ধকারের পথে, স্রোত থেকে স্রোতান্তরে –
তুমি, যে উজান ও ভাঁটা মিলে শূন্য হবে – তেপান্তরের ও’পারে রাখবে
নির্গ্রন্থ অক্ষরকাঁটা – জঙ্গলে মানুষের ঘ্রাণ, মানুষে সমুদ্রের
সমুদ্রে বসত করে অলীক জলপরী
মাঝে মাঝে উঠে আসে জ্যোৎস্নার বালুচরে ক্লিশের ক্লীবমুখ ছিঁড়েফুঁড়ে –
মাংসে চৈতন্য ছোঁড়ো, ছোঁড়ো পাথর কাঁটাতারে কার্ফ্যুতে
প্রেমবজ্র নিক্ষেপ করো যা কিছু দুখদায়ী, তাতে,
যে দুঃখ আপন নয় তাতেও কেঁদেছো বুঝি কিছু
নিভৃত সুন্দর কাঁদিয়েছে অভ্যন্তর আলিন্দে প্রাচীরে
কেঁদে কেঁদে ফিরে গ্যাছে দয়ালু নদীর ঢেউ নানাবিধ বিকেলের কাছে
ভেঙে দুই রাঙাপাড়, গিলে কিছু কেল্লা ও ফাটক
প্রিয় ইনকিলাব,
গাছ হয়ে যেও মাঝে মাঝে
চিঠি লিখতে ইচ্ছে করলে মানুষের মতো অনুভূত হয়  -

জানলা খুলে রেখো
বলা যায় না, চলেও আসতে পারে যে'কোনো উচ্ছ্বল একদিন
দু’একটা নির্লিপ্ত প্রজাপতি – পায়ে নিয়ে অবিস্মরণীয় রেণু!



Sunday, September 17, 2017

moon man & mother time

moon man is beautiful
moon man is wise
and when the world gets dead & dark
fireflies gather for advice
it is always evening here
too much thirst to quench
certain hearts shall flutter by
certain writhe and wrench
moon man's mother, she is time
she is sweet like flesh
little children pop their heads
and see the world afresh!
mama time, she knows it all
she shall ever do
moon man, he's strong & tall
and both of them are true.

Friday, September 1, 2017

Rohingya

40 thousand people
40 thousand phantoms
are marching towards you 
right now


you have taken their lands
you have taken to hatred
you have been taken by greed

they knew nothing of this
they knew everything
their backs, painted by barbwire,
cooked by bullets
know everything


40 thousand dreams
that couldn’t connect
how the price of onion & flour 
and the price of guns and tanks
and the wrath of Buddha
and the sword of Rama
would not let them 
return to their homes by sunset,
maybe, smoke a little,
and look at the river flowing by,
clouds making shapes in reds and oranges


so they turned with the tides,
with the agony of the moon, the weeping hills,
the alert golden winged vultures – 
with all history and being – 40 thousand vivid humans

first you didn’t count them
and now, you can’t
and, right now, 
in deep silence,
they are marching
towards you
towards the spot between your eyes
may 40 thousand nightmares be all yours tonight


Rohingya, flesh of me and my mother
soul of my sweet, big, ancient earth
you, 
friends,
shall live 
and they, who took your lands and bodies,
shan’t.

Monday, August 7, 2017

Naked Heart

the gun's too close
too thick the mist
your heart is black
so clench your fist

your heart is blue
your heart is green
your songs are true
your fireflies glean

like magic dots
in the heart of night
your heart is black
so rise and fight

your heart is a song
your soul is steel
the gun's too close
the river flows

where do you flow?
how do we row?
who there screams
in gypsy dreams?

who shall go
where the flames lie low?
your teacher was darkness -
the wolves shall know

the wolves make guns
the wolves made daggers
the wolves kill with swagger
the wolves have fun

and here you are
your shadows quiver
the moon is red
your heart is a giver

and the gun's too close
too beastly be the moon
so seek out from your dark
a naked, lonely tune.

Monday, July 31, 2017

Certain Questions for Ashurbanipal

weep, Ashurbanipal, your books burn
your thoughts lie in seize
their frenzy must be yours now, or else probabilities
might wreck through your strange pillars, certain 
kitchen-gardens, might tear forth clockfaces 
who are like old fighters with broken teeth


certain duties need to be performed 
so, king Banipal, the Ashur, tears off a leaf
There were many Ashurs after him,
a few might even have had charged into enemy columns
all by themselves,


one or two might even have had faded into marshlights
in some tiger-prowl fen, a few might have looked
down from the hills to see their huts burning
fields of gold-coloured crops turning into fields of gold-coloured flames, as they billow up, 
smoke covers nostrils of historians, - who, eyes wide shut
never sought to learn from all these fires - 
might not weep with you, ancient, regal Ashur with
a crown and a ruby perhaps, a belt of gold, 
Nile & Sudan coloured dreams off lion-glow skin and flesh in mud,
sweat, - as they see their scrolls & parchments aflame


(When the smoke gets thick enough, one often finds it tough to ascertain who's on which side)

Now tell us, mighty ruler of Nineveh, from many climes beyond, will you shoot
at the past - at history -
or will you shoot at the enemy now?


The palace is dark. Pillars frown down. The Ashur weeps for wisdom lost.

Wednesday, July 26, 2017

naming names

fondly affectionate in equal measures towards all religion and war
as we roam the wilderness and dust, ever, universe-bound,
across all the roads of the world that bend towards our bodies,
our scars,
what name will you give
to these question marks, moonlit and stout,
that sweep softly along the dark brows of time?
and what name will you give to the banshee-child
that weeps softly by a secret little pond
where all the fishes, frogs and lilies have always known that all magic has ever been real?



Saturday, July 15, 2017

‘ফিরে এলো রসিক নাগর’ – জমজমাট পরিস্থিতি – সপরিবারে পাঠ করুণ


***
***
***

রসিক নাগর ফেরে পালটানো পথে।
বেরসিক নাগরিক কলা ব্যাচে রথে।।
ব্যাবিলনে ঘুঘুবনে ঘোরে হাহাকার।
বহি’ চলে অবিরাম বিষাদপাথার।।
পাথারে পাথর ভাসে, রসে ভাসে দেহ।
পঞ্চ প্রহরী তার চিনে কেহ কেহ।।
একদিন চিনে নেবে, জাপানেও নেবে।
আগুন গিয়েছে নিভে নগরী নিনেভে।।
নগরীর নটী অভিসারসহ কালের গর্ভে মিশি’। 
ভাঙনঘুমে ডুকরে ওঠে কাঙালপারা নিশি।।
আগুনে নিয়েছে কিছু, আঁধারেও আরো।
ইতিহাসে পাঁতিহাসে মিলি’ পোয়াবারো।। 
ভূমধ্যসাগরে যদি মধ্যম পথ। 
দেখিতেন বুদ্ধ তবে উড়ে যেতো রথ।। 
রথে চেপে শবরের মঠ লোঠে হিন্দু। 
হেরি’ছে এ’হ্যানো সীন বঙ্গনামা সিন্ধু।। 
কত কিছু ঘটি’ যায় মেদিনীর ধড়ে।
লাফাই’ উঠে উচ্চিংড়ে লাফায় কিছু ফড়ে।।
নানানজন নানানদিকে নানান কিছু ধরে।
টুঁটি ধরে চৈতন্যকাল মারণ-কামড়ে।।
পুলিশ ধরে মধ্যরাতে পেঁচোয় ধরে ভোরে।
আশমানময় নানানরঙা ধান্ধাঘুড়ি ওড়ে।।
জমিনময় সূত্রধরেরা লাটাই কষে ধরছে। 
সেই গুঁতোতেই আবাল কিছু কোল্যাটারাল মরছে।। 
রাখাল বালক বজ্রমুষ্ঠে ধরিয়া ধেনুর পুচ্ছ। 
নদীজলে বীর্য্য তাহার ঢালিছে গুচ্ছ গুচ্ছ।।
কারণ-অতীতে ডোম্বী-বীর্য্য টলাইলা চণ্ডালী। 
খরপর্বতে ডমরু বাজিলে নাচিবে কঙ্কালী।।
আজি যে বালক কাল সে যোগী ধরিয়া র’বে বিন্দু।
মাংসগল্পে কহিবে জাতক হইও সবার বন্ধু।।
জ্বলছে মাংস জ্বলিবে টায়ার জ্বলিতেছে গ্যাসোলীন। 
রহিবে রসিক চিরবিষাদী, রহিবে না আশাহীন।।



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Thursday, July 6, 2017

নিশিথে


শেষরাতে পেলে কি তাকে, পেলে কি নিরঞ্জন? 
ঘরে চোর হয়ে ইঁদুর ঢোকে, নিশিথ ঢোকে বুকে
নানান মালঞ্চে তার ফণাফণা পড়ে আছে প্রেম, 
পড়ে আছে মায়াঘড়ি, অবলুপ্ত কড়িকাঠ-আদি 
পড়ে আছে, থাকবে বলে, বহু কাল হতে বহুতর 
কালান্তের পথে তার ধূসর চলিষ্ণু ছায়া, স্বপ্নের
মতো মরে যাওয়া, বেঁচে ওঠা জীবনের মতো - ভাসমান, 
এসো,
নানান রঙ্গে এসো, 
ভোর হলে, তেঁতুলের জঙ্গলে 
স্মরগরলে 
সবুজ আভার ভরে মায়াবী প্রজাপতি আসে, নিখাদ তৃপ্তির মতো,
অপার বন্দরে আসে, বহুকাল তৃষ্ণা কুড়োবে বলে খুদকুঁড়ো,
ব্রীজ বাঁধা শেষ হলে, যবে, ঘুমিয়ে পড়বে সবকটা কবি ও ফসল
তখন মানুষের কাছে আর কিই বা উষ্ণতা দেবে, ইছামতি, দাবানল?
বুকভরা জল কেটে অভিমান এঁকে যাও, সেই বুকে 
ঢুকবে নিশিথ
সেই জলে নামবে অতল কুমীর কিছু, স্মৃতির মতোই, 
অশ্রুমেয় - নামবে বলেই 
অপেক্ষমাণ, তটের কাছে, রাতের শেষে, 
কিরণ এলে, ছুঁলে কি তাকে? ছুঁলে কি নিরঞ্জন?

Saturday, June 24, 2017

Nine Riders from Hell



Presented hereinbelow are translations of one poem each from nine Bengali poets who had embraced martyrdom in the early years of Naxalbari.

1. Saroj Dutta (encountered by police action on August 5, 1971)

Ratnakar

bloodied feathers fall on calm river
a sky chewed up through chest-smashing calls of parting
Hunter – the Nishadh –
He stands, shameless, stoic, stark in laughter,
Inebriation of non-violence in hand, red eyes,

Bandit Ratnakar awakes
sad questions in eyes, he stays awake, stunned by this sudden pain
two eyes of one swan – hurt to death
– strewn astray by feet
Rishi, speechless in shame, Vedic mantras make no answer

Golden dreams of fortitude in eyes,
the Hunter has won
From ashes of forgetting rises –
a past, aflame
Vessels of blood burn in brutal wrath,
Rishi burns in the hatred of denial

-- Today, by the rice-bereft hut, does she still stay awake?
His lover, her breasts are made of skin – does she hold a baby-skeleton to her?

In peals of laughter the Dasyu poet
– he tears those false flags of non-anger
Day of darkness, fulfilled,
to end by the dimly caving shores

2. Dronacharya Ghosh (tortured to death in police custody, 6th February 1972)

Prehistoric
Broken bones scattered everywhere, untouchable skeletons
One or two half-complete animals;
No light cuts through the vines & orchids to hit the eye
flint-sparks inside occult caves make sunlight

Borderlines of prehistoric humanity nearby
Mother of smooth, naked youth –
One community- one woman – piercing through the atmosphere
No other eyes

Ghastly sharp screeches of beasts
The ancient shape of skulls strewn afar
Suddenly, stone-dagger stabs rabbit-heart
Warm blood – inchmeal writhing and wriggling
Making love with own mother –
there’s some bloodshed in that too

Strewn astray, all around, rocks, diamonds, and
remaining human bones,
Passion for one or two eldritch arts
Stiff, doughty roars – desire of lioness before dead lion
Fades, slowly, to identity
3. Murari Mukhopadhyaya (killed by police firing in Hazaribag Jail, 24.07.1971)
Hiroshima Askance
If a boy, sullen, with ruffled hairs,
comes to me and says –
i wanted to be established in life
why did you kill me? if he asks –
i have never harmed you
why did you harm me?
could you, with all my bones,
slay those violent, hateful monsters that
stand against life?
then why did you not let me live?
What will i reply?
I am American,
we have killed that student from Hiroshima
while he was going to school.  

4. Timir Baran Sinha (beaten to death in Behrampore Jail, 24th February, 1971)
Walking, Sad
Some nights, I have cried
like wild rain
Poured fire on blind niches
Turned mad
Walked sad
In darkness
Through fields, bereft, after harvest…    
5. Amiya Chattopadhyay (beaten to death in Alipore Jail, 26th November, 1971)
Hunger of Land in the Face of Guns
Rain! Rain! It rains all day
In the hot hills of the northern country
On minds, humane, deep inside forests,
Blazing fires roar out in waves

Frightened warnings from the rear,
like brutal, caged beasts,
Seek to pull back minds that boil in fury of blood
Huzur, go ahead
attack the flames of the sun
foil all rebel-dreams with your thousand rancid forces

Soldiers who seek for you
Plucking experiences from dark hollows of time
They shall raise arms!
They shall make vicious enemies fail
They shall make them wither, one by one
Naked minds flare up
Forces billow up wild in fury,  
to lash out against enemy camps
 Heavenly dreams flop down like landslides
Inside hilly minds

Land roars out in hunger in face of guns
O humans, look!
Babies born today, in houses
of the workers and the farmers
Poked by bayonets, before the glinting sparks,
They dream of a new world!
6. Ashutosh Majumdar (Tortured to death in Jadavpur Police Station, 9th March, 1971)
Weaver, Weave Your Loom
What pledge shall I keep? On what trust?
Even today
Two minds do not meet
What hopeless oath shall I take?
Two minds do not meet

On what certitude must I go? Those pure outcries
Hit the ears, lucid evermore
Weavers weave looms in my mind
Knots clutter the mind up at times
It’s complicated

I think, with what hopeless pledge must i move?
Whether it will work, or whether it won’t? –
these two minds of the two
Troubled, all the while
Status quo brings weariness

Weaver, weave on your loom
Inside my mind

7. Tushar Chandra (Beaten to death in Burdwan Jail, 27th May, 1971)
In the Villages of India, Struggling for Freedom (Song-Lyrics)
In the villages of India, struggling for freedom
Countless farmers have risen
Behold, storm approaches!
Storm of revolt approaches!
Dashing through the vicissitudes
Hurling all that’s tattered asunder
Severe hurricane charges in
Farmers wage war in great anger
Shattering all shackles, hoisting the blood-red flag
Storm approaches…
8. Kalachand Dalal (Encountered by Police on 12th May 1972)
Broken Clouds and Broken Moon (song-lyrics)
Broken clouds and broken moon
Playing hide and seek
I row my boat down the wild river
Hoisting sails of freedom
Playing hide and seek –
The moon has leaned, the morning star
Points at hints of light
Robins sing, cuckoos croon in tune
The carnival of music is on –
Playing hide and seek –
May yellow leaves fall today
May all that’s new flood today
May foul breezes go away
May the dusts go with them
9. Sudipto Bandyopadhyay (Disappeared while in underground and after being afflicted with encephalitis. Last  traced in 1970.)
Song of Walking the Road
The spring of 1970 arrives
When wintry mists of melancholia
Were, like those in throes of tuberculosis
Seeking for light, seeking to breathe clean air
Ceaseless dark smoke from chimneys
Had lit incense sticks made of blood and sweat

The spring of 1970
Cuckoo-voice of lovers sing
Love me, beloved
Love me,
And love the music of our thoughts

The music is harsh
The song is ruthless
The right to love
Across all the countries of the world
Beloved, such is your love

Do you remember Shona Boudi?
You, who had defied Ahalya,
Beloved, do you remember that day
when peals of spring thunder rang through the northern clouds
and the daughter of Terai sang out loud?
It is not your evening lamp
It is torches, ablaze
You did not hear it right
It is not happy sounds of faithful festivity
It is the rifle roaring out from the hands of Nirmala



I am that lover of yours
Who walks along the long roads
To bathe in the sun
Won’t you be my sun-bathed lover?

The green fields & forests,
Of the Santhal Parganas, of Andhra
And, far far away, a sound
Moves with the echoes of livid explosion
Moves with the spring of 1970
Moves with your love, with my love

Stay, beloved,
My love is not that tiny nest
It is but a dream – i seek splendid rhythms of life
I walk the roads
I shall find them, I will.
Lovers of spring paint with blood today
Around the villages, around human settlements
Far away and further
And yet so near
It forms a circle
The circle gets smaller
And when the dark night of the bats is over
It becomes that tiny nest
Beloved, if I am no more on that day
And, if spring arrives,
Set the voice of my rifle to tune
Remember, i used to love
The song of walking the roads

(Earnest gratitude to Frontier Weekly and Milansagar for making the original Bangla verses available in public domain)



Saturday, June 10, 2017

epitaph


born like grass in wombs of time
live like sounds of bells that chime
gliding by all easy paths
dead like birds at aftermaths 
ever at large, ever alert
weep for the windmills, musafir heart

Wednesday, May 31, 2017

shapes

they keep on hustling down the poles and sunsets
asking for their dues
you don’t remember
so you reach out for your gun

but the gun isn’t real
neither are the dues
and nor are them. shadows lengthen from head to toe.
our beautiful bodies shiver
our beautiful minds shiver
some scars aren’t real, a few are
but from a distance,
they all look like all the time the stars can hold.
and rivers turn blue when thunder punches the sky out from head to toe.
our beautiful boats shiver
our beautiful houses shiver
the good earth shivers.