I have seen
lightning strike the river on stormy midnights
I haven’t
seen many puppet-shows.
I have seen
laughter sending terrific shockwaves down to ancient depths.
I haven’t
seen horses in moonlight
Other
things which I have and haven’t seen include:
atrophy of
ferns and furniture, bitter yielding of the vast totems,
whalejawed
frozen prophesies and old men shitting old shit on old shitpots.
The point
being – clocks don’t scream except in lousy poetry and one-eyed whores are more
common than one winged whores but less common than one-winged moths and
butterflies.
...
Just
sitting by the window, rolling madcap wilderness, rows of houses: concrete and
primordial,
Our shadows
glide by moonlit highways,
Thinking of
perfect smooth women and the perfect smooth geometry of their shoulderblades,
lonely garagebound busses rolling by, arrows pointing at the heart of hearts, a
little speck of red at the center, one kingly bull roaming along the serene city
streets.
It is now
that we rise to kill. And at times we rise without any specificity. But mostly,
we don’t rise or fall. We just need these damning crutches of shapes and
binaries and vectors and other symbols. We can’t stand on our own.
Just
sitting by the window, observing the city and the world as they decay in
enchanted silence. The bull is still roaming.
Take me, bull.
Take me, bull.
…
Sadly,
nothing much can be done about the inert objectivity of stuff around me.
Deathlessness
is far worse than death.
Ranting and
screaming about this bluntly passive world would be useless and so I won’t.
I’ll tell
of how I felt with my cock throbbing in massive rage inside the soft, warm cunt
of the most fantastic whore in town. It was evening and it was raining quite
heavily, the beasts of storm were getting ready to leap out in monstrous fury.
I was fucking in meaty, wholesome glory and I was having essential fun.
…
Donkeys of
love rove in moonlight –
their
ancient shadows fall on the river;
and the
river is a story now –
a piece of
eternity in pristine sensation:
the sort
that smoothens the jagged corners of night
and puts those
ghosts of the fond heart to harmony
and turns
this agony into a cold sharp song.
And the
song is a steely sword now
I touch the
song and become invincible
I touch the
sword and become the brazen, bravest hero
And then I ride
out to slay monstrous butterfly-eating serpents and other primal demons
And those
donkeys of love stare at me through perfect, insane patterns of silence
…
Prince
Hatimtai entered a garden and shot a parrot.
And if it
was all that easy, ruminations would’ve led to reckoning
And cavemen
& cavewomen wouldn’t have to go through so much shit just to make love and
that too not in the moon but by nasty hot flames in dank mossy darkness with
wolves and snow leopards watching from a distant, like cruel vigilantes with
glowing eyes that hardly blink.
It all gets
so terribly sharp at times that I can see a stained and soiled towel hanging
from some rusted hook or other and think that it’s a stained towel hanging from
some rusted hook or other. And at other times I see splendid children of the
void throwing acid-bulbs and Molotov cocktails at the sky.
Clocks,
through a million centuries of stillness, lead us to the ghastly sublime
channels. I think up grave castles hanging from cliffs and precipices and
hovering over the sea like overgrown sea-hawks tied to lifeless, stony roots. I
think of mosaics and emblems dotting the primal zombielands of cognition. I
think of midnight storm raging through the sea in great fury and of myself
stumbling along the rooms and hallways and alleys and labyrinths as thunderbolts
strike that stern forbearance of the clocks down. Bells of doom cut through
ether and through the beastly roar.
Gods and
other heavy judges stare at me from across the damned clocks. Wolves and snow
leopards stare at cavemen making love to cavewomen by nasty hot flames by nasty
hot flames in dank mossy darkness. Winds
howl across seas and forests making mad patterns. Lifeform developed a handful
billion years ago through synthesis of organic polymers and shot its load down
across a series of chromosomal pipelines straight into my ribonucleic
wilderness.
Prince
Hatimtai entered a garden and shot a parrot.
…
All art is shit.
All texts and codes are shit.
What matters is this savage fury of living and loving:
hungry,
raging,
heart bombed,
guts gutted,
senses crazed in neural conflagration:
mind body and soul fucked in integral entirety.
That’s the only truth that there is
and there's nothing more beautiful than this.
…
Leaves and
squares scattered throughout the deathless black alleys and subterranean
streets, grime and soot chocking the heart, lions of steel to fight the mad
army of scarecrows in tremendous revolt against the lack of life, mind takes a
pale shade of yellow and green, dotted against the sidewalks of the naked city
reeling under harbors and factories and cognition and the stupefying
nonchalance of being. Then of course, there’s this maze of strange passes
leading to open fields, and horses gallop by and trams roll along and I’m here,
staring at those sloppy fantasies of chance, and doing nothing else.
Umbrellas
and stoned fishes kneel by altars of ambivalent harmony. Crooked rainsongs
puzzle the secret locked chambers of the stonewalled heart and Beethoven. Heart
grows cold – sadder than all the ass-squeezed cherries of the world. This cog-wheeled,
clampjawed zone of saints and sluts is sickening enough for all the towering demons
of becoming and dreamy relics of the flow to give up and go away.
Look at me,
here, damned, squished and tugged from all sides, clubbed down by all the
elements of meatless blank pestilence, soulless treetops and elevators,
fighting, enduring through cognition, significances and other grotesque symbols
of turpitude and succor.
Primal
fortitude is essential
It’s all or
nothing for me.
There’s no
giving up or going away in this.
….
Flopped,
drooping and withering away in some flophouse, he had no idea of the sharp
shadow that was approaching from across streets and channels and shores of the
world in gruesome rage, raving through the hazy corners, storming through all
fortresses, smashing all terrific walls, hunting down the grisly wolves that
haunt the ancient forests of pertinence, gutting out the dogs that live dogged
lives and die dogged deaths along the alleys, corridors and chambers of the blasted
domes of terror, burning down all bridges, ships, trams and other totems of
totality in blatant, brutal rage of perfect destruction.
That shadow
could’ve been
his son
or his
killer.
Meanwhile,
weatherman talked of the factual rain
And the radios
and umbrellas of the strong world rose in severe, frenzied rebellion.
…
Moon lies
bland, like mother, prostate before staunchly fleshless statues of gods whom she
cannot touch
And here I
am, closest to the bedrocks of soul, bells chime of visions and recollected
glory gleaning along the ancient silver-gazed river, to touch the deep dark
earth and the sea, to construct my own sincere gods and heroes of disinherited
myth and fantasy, to thrive.
They’ve
bombed the citadels down; they’ve killed the bulls and broken the statues. They’ve
also chained the angels and locked the steely lions up in tough grimy cages.
Sentries of
the heart lose their way in primitive saber-kiss forests,
Sentries of
the mind wander along the dazed neural labyrinths
Sentries of
the soul weep by the river
That throbbing
pulpcore glows from inside those ghastly harsh caves.
The wildchild
of reveries roams the ancient deathless streets in blazing embittered agony of abandonment.
Sharp symphonies cut through the tremendous hues of vision-garbed misery as
solitude weaves those almost motherly symbols and thunderclaps boom out those fantastic
prophesies of rebirth resurrection and regeneration, that
one day, he’ll
be strong enough to fight this accursed damnation, to set the putrid skies on
fire.
And then I
shall wake up, stoic, immortal, sword in hand, almost like my own invincible
gods and heroes:
In another
insane dream,
another savage
recognition of the essence.
…
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